Meyer Riegger
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Armin Boehm

The observation of scientific and human boundaries serves as a basis to Armin Boehm’s paintings, as well as the reference between urban and natural habitats which the artist uses to pursue the possibilities of painting. His use of forms based on the vocabulary of Modernism pools specific occurrences in his paintings, which appear to be atemporal both in their disassociation and vagueness. The artist discusses motifs where the physicalness of the depicted evolves from the interference with form, …

Tiptoe
Auf der Wunde hält die Farbe nicht
La Peur
En direct
Trigger
Auf der Wunde hält die Farbe nicht
Dust
Riot
Untitled
Égalité
Electricity
Tatsachen Bild
Untitled (portrait with two realities)
Too many rooms
Lost
Lost Lovers
Le style c'est le corps
Cocaine
Leur humanité interchangeable
Yuryuzan
WALD HOCHWALD HOLZFÄLLEN
WALD HOCHWALD HOLZFÄLLEN
Waldgänger
Waldgänger
Untitled
Untitled (national lab LBNL)

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