Meyer Riegger

Daniel Knorr

The concept started in Los Angeles. Depressions of the streets and highways were molded and then casted using a new type of resin and related colors, specially designed for the creative industries. The work captures everyday history between two biopolitical levels – the road as the surface of the work and the wall as an architectural phenomenon. They give the history a physical form, expose it, and make it visible. The newer series, “industrials”, reproduce the surface of architectural and …

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