Much of Silke Schatz’s work is based on memories. Through those her fine lined isometric drawings visualize architectural structures. She translates layouts into large-scale installations and colorful sculptures. Sequencing text and images in conjunction with her exhibitions, Schatz is concerned both with memories that one experiences and those one inherits. She deals with political and societal topics, inherently interlacing her own experiences into precise but unstable representation of recollections.