Meyer Riegger
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Ján Mančuška

Text and film are the main components of Ján Mancuška’s expansive works, whose specific installation often incorporates the architecture and space on site. The specific arrangement of these linguistic or pictorial elements, determined by the artist, creates a very perceptual condition - the effect of the works is conditioned by the movement of the viewer in the space or in relation to the works. The resulting dramaturgy of the objects, the interior and pictorial sentences and their interplay thus results in a very special tension that condenses into fictional, cinematic sequences in the imagination of the viewer.

Notion in Progress
Notion in Progress
Notion in Progress
Bulb
Bulb
Untitled
Reverse Play
Reverse Play
Reverse Play
Accident
Incomplete movement
Double
Body of progress
Body of progress
Body of progress
THEATRE X
From A to B and Back Again
From A to B and Back again
The Big Mirror
Motion Picture - Nude Descending a Staircase
Sorry for Being so Late
Sorry for Being so Late
Sorry for Being so Late
The Other (I asked my wife to blacken all parts of my body I cannot see)
The Other (I asked my wife to blacken all parts of my body I cannot see)
The Other (I asked my wife to blacken all parts of my body I cannot see)
The Other (I asked my wife to blacken all parts of my body I cannot see)
The Other (I asked my wife to blacken all parts of my body I cannot see)
20 minutes after
20 minutes after
20 minutes after
The Painting Vol. II
The Painting Vol. VII
The first minute of the rest of a movie
The first minute of the rest of a movie
The first minute of the rest of a movie
Model of Word - Quatrophony
Model of Word - Quatrophony
Model of Word - Quatrophony
Untitled
Space behind the wall
Space behind the wall

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