Paulo Nazareth

Living as a global nomad, Paulo Nazareth’s work is often the result of precise and simple gestures, which bring about broader ramifications, raising awareness to press issues of immigration, racialization, globalization, colonialism, and its effects in the production and consumption of art in his native Brazil and the Global South. While his work may manifest in video, photography, and found objects, his strongest medium may be cultivating relationships with people he encounters on the road — particularly those who must remain invisible due to their legal status or those who are repressed by governmental authorities. In certain aspects, Nazareth deliberately embodies the romantic ideal of the wandering artist in search of himself and universal truths, to unveil stereotyped assumptions about national identity, cultural history, and human value.

From the series Hans Staden or the eden Garden [The woman he the cassava]

TODYS SABIAM QUE AQUILO ERA A IMAGEM DE UM HOMEM SOBRE OUTRA CRIATURA | EVERYBODY KNEW THAT WAS THE IMAGE OF A MAN OVER ANOTHER CREATURE

CA - produtos de genocídio - Cool BLue y Fhaqfu

Projeto: Imagens que já existem no mundo [Nos braço do Povo - On the People's Arms; Luiz Inacio Lula da Silva – Preso Político lider de intenções de voto para a presidência do Brasil; Luiz recebe a faixa presidencial; Golpe Judiciário retira Lula da eleição]

untitled (from Genocide in América series, no.3)

C’que vous pensez?, from Cadernos de Africa project

Untitled, from Notícias de América series

Paulo Nazareth

Paulo Nazareth

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