Meyer Riegger
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Ulla von Brandenburg

Through Ulla von Brandenburg’s choreographic pictorial language, which draws on both theater aestethetics and sculptural ideas, a complex interplay between performance and installation; among film, props, and static imagery; and among music, colors, and costumes takes place within this stage-like overall arrangemant. Finely balanced contradictions and mutually responsive contrasts of the individual elements are decisive for the performative experience of Ulla von Brnadenburg’s stage …

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